Advice for a Slam Poet Part I—The Audience
December 14, 2011 in Audiences, Slam Poets
Take your space and wait. Let them come to you. Don’t be too eager.
They want you. They want you to entertain them. They want you to show yourself. They want you to show yourself in an entertaining way. They want bone fragments, hair follicles, blood samples and a story they can believe, a story that hurts, a story that redeems. They want to look at your thighs and ass when you are speaking. so work out.
They are not fair. They are not just. They want the message delivered at a sexy tempo. They want you to seduce them. They are not interested in your mission. They want to feel good. They could care less about your cause. They want to feel good.
They want to relate. If you are black you can call your white audience racists. They are okay with that. Render them racists in rollicking stanzas in an antithetical thesis that seizes them in guilt and “I got it” euphoria and they will thank you for honoring them in redeeming light.
But they are unlikely to put too many of you on the same slam team much the way that the first black family or office mate feels welcome but the next ones become a threat because there is only so much goodness and gracious to spread around and fame is a limited resource.
If you are white you better make them feel good you better feel good about feeling good you better confront in a funny way and inspire because the truth is most of them are broken most of us are broken most of me is broken most of us have a handlebar dangling a slack chain and not enough air to fill the tire. Poetry is the air. They want to fill up, we all want to fill up, so we can invent the wheel. They want you to invent the wheel—again.
They are strangers. Never forget this. Even when they are friends they are strangers.
They are not the love you are missing; they will never be such a cherished union. They are a mass of conditionals packed into chairs, snaked between the growlers and chasers, goblets and mugs and you are both broken.
They are witness, your confession, the insight, the rant, the grief, the lost cause, the fragility of your concerns crystallized in audio decibels that shatter like a moonstone and Peridot and diamond flakes into the blue of the audience night.
Your failures are precious stone, hard-earned always chipped, never perfect, and they will haunt you until you face them, golden flakes of truth chipped off your unchiseled sides.
Young poet, I have not won them over and I crave them like a love-sick teen. They are not good for me, they are not a real success they are the casual sex of oratory, offered orally and yet the Europeans know that even casual encounters can be intimate truly intimate–but the intimacy fades—sometimes in minutes, sometimes in hours, never more than days.
You cannot go back. The next audience is different. They smell like mud and tangerines while the last smelled like whisky, or abuse, or chard, salmon or shallots–sautéed.
I have not won them. I hate that I need them, and what I say, is not nearly as important as who I am, and we poets don’t get second chances to be ourselves, so go out there and be who you are take your space, make them wait and don’t try to entertain them just entertain them because they’re broken and you are broken and I am broken and someone needs to fill the tires
in an entertaining way.






